Arrow season 5 will be released on — October 5, 2016

This article has the most up-to-date info on the status of Arrow season 5 as we continuously monitor the news to keep you in the know. The CW has scheduled the premiere date for a new season for October 5, 2016.

 

Summary and storyline

Arrow is a US superhero TV series based on a DC comic character, a vigilante armed with a bow. The show is produced for the CW network by Bonanza Productions, Derlanti Productions, DC Entertainment and Warner Bros. Television. It premiered on October 10, 2012, and the current season 4 aired on October 7, 2015.

Action, mystery and drama accompany Oliver Queen (Stephen Amell), a rich playboy who turned into an incognito crime-fighter following five years on a mysterious island after a shipwreck. The first season depicts the main character's return to Starling City and his integration into his previous life as well as the establishment of his new range of interests – which includes killing criminals who are plotting dark things. There are also flashbacks to help us understand the transformation that took place during his isolation on the island.

Over the next seasons of the Arrow Oliver gives a vow to fight crime without killing the perpetrators, attempts to reunite his family, finds a follower, Ray Palmer (Brandon Routh) and continues his courageous and complicated battle with evil. In season 4 Oliver and his brothers in arms fight a terrorist organization.

The Arrow enjoyed favorable reviews from the critics, the first season being the most successful in winning their approval. The viewership ratings were a hit for the CW network in the US, as it turned out to be the most-watched series in three years. The broadcasts in the UK, Canada and Australia have also sparked considerable interest. Given the apparent success throughout all four seasons, it's fair to assume that the fifth season will be underway in the future. There has been no official statement from the network, but the fans of the show are hoping for its renewal.

Arrow Season 4 recap

The superhero saga Arrow has concluded its 23-episode fourth season on May 25, 2016. The season finale attracted 2.19 million viewers and ended with Oliver being sworn in as the interim mayor, so his work as a hero is about to temporarily go on hold. Reiter and Taiana both die in the course of their standoff, and Oliver begins to have qualms regarding the dark side of himself, wondering whether it's getting the better of him, since he has participated in killing quite a few people. Amanda is there to reassure him, and Oliver faces Darhk in battle, putting him down and subsequently celebrating his win with Team Arrow. The CW has already renewed Arrow for a fifth season prior to the end of the fourth installment, so we can be sure that a new villain and a new threat to peaceful life that everyone now thinks will prevail, is around the corner. Stay tuned and we'll keep you up to date as new information becomes available regarding Arrow season 4.

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Watch One Piece Film Gold (2016) full movies HD online

One Piece Film Gold (2016)

One Piece Film: Gold (ワンピースフィルムゴールド Wan Pīsu Firumu Gōrudo) is a 2016 Japanese animated fantasy action adventure film directed by Hiroaki Miyamoto and produced by Toei Animation. The film is part of the One Piece film series, based on the manga series of the same name written and illustrated by Eiichiro Oda. It had its world premiere at the Emirates Palace hotel in Abu Dhabi on July 15, 2016, and later premiered in Japan on July 23, 2016.

Set in Gran Tesoro, an independent country chartered by the World Government, home of the world's greatest entertainment city where well-known pirates, Marines, and millionaires throughout the world gather in an "absolute sanctuary" that even the World Government can't touch.

There, the Straw Hat Pirates meet the ruler of the country, the golden emperor, Gild Tesoro, who easily wins pirates, the Marines, and even the World Government over to his side with money. He is about to take action to satisfy his bottomless ambition which may result in major changes in power relationships in the New World.

Link watch full movies : http://1movies.tv/film/one-piece-film-gold-2016-160927/

Batman - Ben Affleck smarter than you think

Had many ideas that Ben Affleck's Batman in the movie 'Batman V Superman: Dawn of Justice

' has not really shown the end of the 'hegemony' inherent Batman.

After Batman V Superman: Dawn of Justice was released, there has been some suggestion that the actor Ben Affleck has only shown the interior of an aging Batman has time rather than highlighting the reckoning tactical incredibly "brain hacking" of the character.

Also commented on the exact part where the film, people just see Ben Affleck's Batman fighting is essential, until a fight with Superman, less effective preparation. When a fight with Doomsday, he also had little effect, they had to run the new Block mode and finally shots were fired appeared to support his teammates kill this monster guy ...

Recently, a new easter egg in Batman V Superman: Dawn of Justice has been revealed and show that Ben Affleck's Batman actually calculated more for this fight than what we see on screen.

Special bullets are engraved Pb ...

Batman picture of the scene - Ben Affleck is preparing the special explosive rounds and on which is engraved the symbol Pb. This detail has been mass audiences, even hardcore fans of DC also can inadvertently omitted when watching movies.

In fact, as explained by Warner Bros., symbol Pb is the only metal that prevents the ability to see through the Superman. Thus, even Superman can try also never know inside this particular bullet is what will overcome the him ... kryptonite.

 

This simple detail shows that Ben Affleck's Batman really very well prepared for war, has studied his opponent each li by little. And he does not just use Superman's weakness is kryptonite which all other combat capabilities of Superman as the energy rays, penetrating vision ... Batman have been considered.

If so, then Batman, played by Ben Affleck can also be considered a relative version of Batman comics standard than is not it, huh?

Link watch movie: http://1movies.tv/film/batman-vs-superman-dawn-of-justice-2016-160627/

Lights out (2016) reviews movies

“Lights Out” began life as a three-minute short film by David F. Sandberg that was short on such elements as narrative complexity, character development and memorable dialogue (I don’t recall a single word being spoken) and long on coming up with more big jolts than would seem possible in such a short running time. It got no small degree of attention and Sandberg was given a chance to expand the short into a full-length feature, putting it in such esteemed genre company as the original “When a Stranger Calls” and “The Babadook.” In the cases of those works, the filmmakers found ways to expand on the original shorts that were clever, dramatically interesting and very, very scary. The problem with “Lights Out” is that while Sandberg is good at creating “BOO!” moments—those instant shocks where something pops out of nowhere and scares the bejeezus out of everyone—they're deployed in the service of a story that has little to offer otherwise, and begin to lose their effectiveness after a short while.

As was the case with “When a Stranger Calls,” “Lights Out” begins with a sequence designed to replicate the original short. Taking place in a factory after hours, instead of an anonymous apartment, it begins as an employee (Lotta Losten, who starred in the short) sees a mysterious female figure in the dark that disappears whenever the lights come back on, and who suddenly gets a lot closer when they go back out again. This time around, however, she survives, while the factory owner (Billy Burke) winds up meeting a gruesome end. Just before his demise, however, he was on the phone with his young son, Martin (Gabriel Bateman), talking about how mentally disturbed mom Sophie (Maria Bello) has apparently gone off her meds and seems to be talking to an imaginary friend named Diana. A few months pass and we learn that Sophie has gotten worse, and her conversations with Diana are so unnerving to Martin, not to mention all the attendant weird noises and scratches, that he can no longer sleep through the night and has been conking out in the middle of the school day.

When the school nurse cannot reach Sophie, she contacts his stepsister Rebecca (Teresa Palmer)—whose own dad disappeared mysteriously years before and who has been estranged from Sophie since abruptly moving out a few years earlier. When Martin mentions Diana, she recognizes the name from her own traumatic childhood years and tries to have Martin stay with her. That doesn’t fly with Sophie, and after she reclaims Martin, Rebecca tries to get to the bottom of who or what Diana might be and what it has to do with her family. Without getting into too much detail, she is now a creature who can only attack in darkness and who cannot be around any sort of light. After a couple of Diana attacks, Rebecca, with the help of amiably dopey boyfriend Bret (Alexander DiPersia) and Martin, decide to hole up in Sophia’s house, lighting up the entire place in the process, in order to get her to start taking her medication again and seek treatment for her instability. Alas, Diana thrives when Sophia is at her most disoriented and begins knocking out the lights in order to get rid of the interlopers once and for all.

Although Sandberg is the director, the big behind-the-scenes name on display here is co-producer James Wan. His genre bonafides include the “Conjuring” and “Insidious” franchises, films that have largely eschewed the gory excesses of his breakthrough hit “Saw” in order to provide low-fi thrills more reliant on atmosphere, small-scale effects (like door slams) and things suddenly appearing from out of nowhere. When done properly, as was the case with the original “Conjuring” and “Insidious,” the results can be sensationally effective, like the best haunted house ride every created. Done wrong, however, and the results can be more like the sequels to “The Conjuring” and “Insidious”—increasingly tiresome efforts that continually try to wring additional screams out of material too familiar for its own good.

It doesn’t take a genius to figure out which of those ways “Lights Out” is headed after only a few minutes. Part of what made “The Conjuring” so good, for example, is that even though it was a spooky show at its heart, it still took the time to create characters that we cared about, develop a plot that didn’t completely strain the bonds of credulity and mix up the scares so that we didn’t know what to expect next. By comparison, this film has two strong actresses in Teresa Palmer and Maria Bello but then fails to ever come up with a way to make use of their talents. The story is kind of vague in the way that, despite plenty of exposition, it never quite figures out what Diana is supposed to be or what the extent of her powers are. As for the scares, there are a couple of effective shocks. But by the time it finally comes to a close (even though it only clocks in at 80 minutes, "Lights Out" still feels long), even the most jittery of moviegoers will find themselves feeling surprisingly calm and placid.

“Lights Out” has been made with a certain degree of style—enough to make you want to see what Sandberg might be capable of with a better screenplay—and it does contain one great moment that pays sly homage to the most famous moment from the classic thriller “Wait Until Dark.” For the most part, though, the film is just a tired tread through the usual elements, and while that might be adequate for those sitting at home on a Saturday night looking for a few cheap thrills on cable, it hardly seems worth the effort of going out to see. And yet, with a current dearth of fright films out there—with the exception of “The Shallows,” an example of a genre entry that managed to take a familiar premise and turn it into something fresh and exciting—there may be enough pent-up demand for a film of its type to make it a success and begin yet another franchise. If that is the case, here is hoping that the filmmakers figure out something clever to do the next time around

Link watch movies: http://1movies.tv/film/lights-out-2016-160912/

Fast and furious 8 movie trailer is Vin Diesel launch date revealed

We learned this week that the trailer for the eighth installment of the Fast and Furious series will debut on December 11. The information comes to us via a Facebook status update from Vin Diesel, who plays main character Dominic Toretto.

The feud, which was brought to light following Johnson’s comment that Diesel was a “candy ass,” was never fully confirmed as legitimate. One rumor said that it was a hoax to promote a WWE wrestling match, which was plausible because Johnson is a pro-wrestling veteran. But that was only one anonymous source, so it could very well have been real. Based on this status it’s possible we’ll see a bit of closure, whether it’s an explanation and reconciliation between two actors, or a played-up, over-the-top wrestling match. Only time will tell.

As for the trailer, the premier is in New York City, and Moviefone expects the trailer will be featured at movies soon after, possibly Rogue One: A Star Wars Story. The actual full movie is also scheduled to be released on April 14, 2017, with two more scheduled for April releases in 2019 and 2021.