watch Bull – season 1 (2016) full movie

Bull is an American television comedy-drama series starring former NCIS star Michael Weatherly. The series, ordered to series on May 13, 2016, and premiered on September 20, 2016. The show is based on the early days of talk show host Phil McGraw.

BULL stars Michael Weatherly as Dr. Jason Bull in a drama inspired by the early career of Dr. Phil McGraw, the founder of one of the most prolific trial consulting firms of all time. Brilliant, brash and charming, Dr. Bull is the ultimate puppet master as he combines psychology, human intuition and high-tech data to learn what makes jurors, attorneys, witnesses and the accused tick. Bull employs an enviable team of experts at Trial Analysis Corporation to shape successful narratives down to the very last detail. They include his quick-witted brother-in-law, Benny Colón, who plays a defense attorney in mock trials; Marissa Morgan, a cutting-edge neurolinguistics expert from the Department of Homeland Security; former NYPD detective Danny James, the firm’s tough but relatable investigator; haughty millennial hacker Cable McCrory, who is responsible for gathering cyber intelligence; and Chunk Palmer, a fashion-conscious stylist and former All-American lineman who fine-tunes clients’ appearances for trial. In high-stakes trials, Dr. Bull’s combination of remarkable insight into human nature, three Ph.D.s and top-notch staff creates winning strategies that tip the scales of justice in his clients’ favor.

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Watch The Tunel (2016) free movies online

watch The Tunel (2016) free online

The Tunnel (Hangul: 터널) is a 2016 South Korean survival drama film written and directed by Kim Seong-hun. It was released in South Korea on 10 August 2016.

Tunnel or Teo-neol 2016 35 DAYS, A MAN’S DESPERATE STRUGGLE TO SURVIVE Jung-su, an ordinary car dealer, is his way home with a birthday cake for his daughter. As he drives into a tunnel, an unbelievable thing happens; the tunnel collapses on him. Minutes later, he realizes that he is completely caught in between the debris. Outside, this breaking news creates media frenzy and a thoughtless reporter even airs a live phone interview with Jung-su, using up his mobile phone batteries. An emergency response team is immediately organized to rescue him and tries to keep the media under control. As it becomes a national concern, the government promises full support for the rescue. While Jung-su struggles to survive, a series of ridiculous blunders delays the rescue operation and threatens his chances to make it out alive. Soon, he runs out of food, water, and phone batteries, making him totally incommunicado. Days pass without any success and people start to lose hope or interest in rescuing him. Having already passed the longest survival record for a disaster, hard decisions are forced on his family while no one knows whether Jung-su is dead or alive.

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Cannes Review: ‘Train to Busan’

Following a motley crew on a bumpy ride from Seoul to Busan to escape a zombie outbreak, writer-director Yeon Sang-ho’s action-horror railroad movie “Train to Busan” pulses with relentless locomotive momentum. As an allegory of class rebellion and moral polarization, it proves just as biting as Bong Joon-ho’s sci-fi dystopia “Snowpiercer,” while delivering even more unpretentious fun. Yeon has displayed recognizably cinematic sensibilities in his last three indie anime features — “King of Pigs,” “Fake” and “Seoul Station” — so it’s not surprising that he transitions easily into live-action, though his scathing, nihilistic vision of humanity is watered down for wider mainstream appeal. Buyers for Asian-friendly genre products should clamber to board “Train.”

Despite the vibrancy of genre cinema in Korea, you can count the country’s zombie films on the fingers of one hand. But whether it’s alleged prototype “Let Sleeping Corpses Lie” rip-off “A Monstrous Corpse” or the more recent “Zombie School” (2014), they’ve all been slapdash and unoriginal.

However, with a MERS epidemic sweeping South Korea in 2015 and soaring discontent with corruption and economic disparity, a zombie apocalypse serves as a potent allegory for the dog-eat-dog world. In “Seoul Station,” Yeon depicted a homeless enclave inside the central train station as the ground zero of a zombie outbreak. “Train to Busan” picks up where that film left off. While the anime’s excoriation of the police and army is softened in the live-action sequel, scenarios of humans and zombies precariously separated by carriages fittingly symbolize the dangerous gap between society’s haves and have-nots.

Workaholic fund manager Seok-wu (Gong Yoo) takes his estranged young daughter Su-an (Kim Su-an) on the KTX high-speed train to Busan to visit his ex-wife. The last person to hop on is a teenage girl whose bare thighs are crisscrossed with bulging veins. Yet, passengers and train crew get more alarmed over a homeless man hiding out in the washroom — one of the film’s frequent barbed comments on snobbery in Korean society.

The first 15 minutes tease audiences with glimpses of zombie threat, like a shadow lunging spastically across the platform, or ominous news reports of riots in the capital. Once the infected girl claims the first victim, however, the action surges ahead with exhilarating mayhem, abetted by the claustrophobic layout of train compartments.

The main reason zombies rank less scarily on the ghoulish scale is their slow waddling gait, but the resident evil here is so deliriously energetic and agile it’s like they’re powered by ginseng and soju. Yeon’s background in animation definitely lends their assault a cartoonish ferocity. The creatures’ only weakness is the fact they see poorly in the dark, giving rise to several mini-climaxes when Seok-wu exploits this to outwit them.

Whereas in Hollywood disaster or apocalyptic movies, the chief protagonist tends to take charge and puts him or herself in the line of fire, Seok-wu subverts the cliché by acting on his elitist, self-preserving instincts, telling Su-an off for giving her seat to an old lady, and shutting the door on escaping passengers Sang-hwa (Ma Dong-seok) and his pregnant wife Sung-kyu (Jung Yu-mi, “Oki’s Movie”). It is up to Su-na, with her child’s innate decency, and the burly but dauntless Sang-hwa to undo the financial go-getting, cutthroat attitude, so he can learn that it is cooperation and altruism that ensures survival in a catastrophe.

Fans of Yeon’s edgier animations may miss his remorselessly evil characters, whose misogyny, sadism and dirt-filthy expletives exert repulsive fascination. In their place, “Train” features something one never expected from Yeon — nice people — such as a pair of high school lovebirds who stay faithful till the end, two deeply affectionate elderly sisters and the selfless tramp. The only major villain comes in the form of a a middle-aged corporate weasel (Kim Eui-sang) who’s calculating cowardice is bland compared with the conmen, religious hypocrites or bullies in Yeon’s past works. But his ability to incite the passengers into callous behavior is instrumental in illustrating how mob mentality works.

Given the sheer velocity of the action, some emotional connection is needed to prevent the film from turning into sheer technical exercise. Thus, Seok-wu’s gradual reform and other humane elements are essential to offset the insentient aggression of the zombies. Their sentimentality are also gleefully tempered by the jumpy, unpredictable script, which constantly teeters between nerve-racking and hilarious, as when Seok-wu hears his mother zombifying over the phone while still bitching about her daughter-in-law.

Shooting in standard 1.85.1 instead of widescreen, the confined mise-en-scene nonetheless affords lenser Lee Hyung-deok plenty of room for nifty camerawork of stunts in unexpected nooks. Washrooms become thrilling battlegrounds and unlikely sanctuaries. An extended sequence in which the driver tries to switch trains is choreographed with the utmost suspense.

However, like most Korean blockbusters, the production cannot resist showing off its visual and special effects clout, resulting in a bombastic stunt toward the end that’s incongruous with the film’s lean, gritty style. Likewise, the screenplay piles on the hysteria and the schmaltz in the last leg, and the hitherto restrained cast have no choice but to dial up performances to a borderline farcical level.

Craft contributions are top-drawer, especially breakneck editing by Yang Jin-mo, who raises suspense to nearly unbearable levels. Music by Jang Young-gyu and sound effects by Choi Tae-young are both sparingly and effectively deployed for genuine shocks rather than false jolts.

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Top 15 Movies That Won the Most Academy Awards

Over the years, there have been hundreds of movies nominated for the Academy Awards. Many films win one or two, some collect a handful.

15. Cabaret
Oscar Wins: 8
Oscar Nominations: 10
Release Year: 1972

In Berlin in 1931, American cabaret singer Sally Bowles (Liza Minnelli) meets British academic Brian Roberts (Michael York), who is finishing his university studies. Despite Brian's confusion over his sexuality, the pair become lovers, but the arrival of the wealthy and decadent playboy Maximilian von Heune (Helmut Griem) complicates matters for them both. This love triangle plays out against the rise of the Nazi party and the collapse of the Weimar Republic.


14. Slumdog Millionaire
Oscar Wins: 8
Oscar Nominations: 10
Release Year: 2008

As 18-year-old Jamal Malik (Dev Patel) answers questions on the Indian version of "Who Wants to Be a Millionaire," flashbacks show how he got there. Part of a stable of young thieves after their mother dies, Jamal and his brother, Salim, survive on the streets of Mumbai. Salim finds the life of crime agreeable, but Jamal scrapes by with small jobs until landing a spot on the game show.


13. Amadeus
Oscar Wins: 8
Oscar Nominations: 11
Release Year: 1984

Wolfgang Amadeus Mozart (Tom Hulce) is a remarkably talented young Viennese composer who unwittingly finds a fierce rival in the disciplined and determined Antonio Salieri (F. Murray Abraham). Resenting Mozart for both his hedonistic lifestyle and his undeniable talent, the highly religious Salieri is gradually consumed by his jealousy and becomes obsessed with Mozart's downfall, leading to a devious scheme that has dire consequences for both men.


12. Gandhi
Oscar Wins: 8
Oscar Nominations: 11
Release Year: 1982

This acclaimed biographical drama presents major events in the life of Mohandas Gandhi (Ben Kingsley), the beloved Indian leader who stood against British rule over his country. Dedicated to the concept of nonviolent resistance, Gandhi is initially dismissed by English officials, including the influential Lord Irwin (John Gielgud), but eventually he and his cause become internationally renowned, and his gatherings of passive protest move India towards independence.


11. On the Waterfront
Oscar Wins: 8
Oscar Nominations: 12
Release Year: 1954

Dockworker Terry Malloy (Marlon Brando) had been an up-and-coming boxer until powerful local mob boss Johnny Friendly (Lee J. Cobb) persuaded him to throw a fight. When a longshoreman is murdered before he can testify about Friendly's control of the Hoboken waterfront, Terry teams up with the dead man's sister Edie (Eva Marie Saint) and the streetwise priest Father Barry (Karl Malden) to testify himself, against the advice of Friendly's lawyer, Terry's older brother Charley (Rod Steiger).


10. My Fair Lady
Oscar Wins: 8
Oscar Nominations: 12
Release Year: 1964

In this beloved musical, pompous phonetics professor Henry Higgins (Rex Harrison) is so sure of his abilities that he takes it upon himself to transform a Cockney working-class girl into someone who can pass for a cultured member of high society. His subject turns out to be the lovely Eliza Doolittle (Audrey Hepburn), who agrees to speech lessons to improve her job prospects. Higgins and Eliza clash, then form an unlikely bond, one that is threatened by an aristocratic suitor (Jeremy Brett).


9. From Here to Eternity
Oscar Wins: 8
Oscar Nominations: 13
Release Year: 1953

At an Army barracks in Hawaii in the days preceding the attack on Pearl Harbor, lone-wolf soldier and boxing champion "Prew" Prewitt (Montgomery Clift) refuses to box, preferring to play the bugle instead. Hard-hearted Capt. Holmes (Philip Ober) subjects Prew to a grueling series of punishments while, unknown to Holmes, the gruff but fair Sgt. Warden (Burt Lancaster) engages in a clandestine affair with the captain's mistreated wife (Deborah Kerr).


8. Gone With the Wind
Oscar Wins: 8
Oscar Nominations: 13
Release Year: 1939

Epic Civil War drama focuses on the life of petulant southern belle Scarlett O'Hara (Vivien Leigh). Starting with her idyllic on a sprawling plantation, the film traces her survival through the tragic history of the South during the Civil War and Reconstruction, and her tangled love affairs with Ashley Wilkes (Leslie Howard) and Rhett Butler (Clark Gable).


7. The Last Emperor
Oscar Wins: 9
Oscar Nominations: 9
Release Year: 1987

This sweeping account of the life of Pu Yi (John Lone), the last emperor of China, follows the leader's tumultuous reign. After being captured by the Red Army as a war criminal in 1950, Pu Yi recalls his childhood from prison. He remembers his lavish youth in the Forbidden City, where he was afforded every luxury but unfortunately sheltered from the outside world and complex political situation surrounding him. As revolution sweeps through China, the world Pu Yi knew is dramatically upended.


6. Gigi
Oscar Wins: 9
Oscar Nominations: 9
Release Year: 1958

Gaston (Louis Jourdan) is a restless Parisian playboy who moves from one mistress to another, while also spending time with Gigi (Leslie Caron), a precocious younger friend learning the ways of high society. The platonic relationship between Gaston and Gigi changes, however, when she matures, but the possibility of something lasting seems unlikely since he won't commit to one woman. Gigi refuses to be anyone's mistress, however, and Gaston must choose between her and his carefree lifestyle.


5. The English Patient
Oscar Wins: 9
Oscar Nominations: 12
Release Year: 1996

The sweeping expanses of the Sahara are the setting for a passionate love affair in this adaptation of Michael Ondaatje's novel. A badly burned man, Laszlo de Almasy (Ralph Fiennes), is tended to by a nurse, Hana (Juliette Binoche), in an Italian monastery near the end of World War II. His past is revealed through flashbacks involving a married Englishwoman (Kristin Scott Thomas) and his work mapping the African landscape. Hana learns to heal her own scars as she helps the dying man.


4. West Side Story
Oscar Wins: 10
Oscar Nominations: 11
Release Year: 1961

A musical in which a modern day Romeo and Juliet are involved in New York street gangs. On the harsh streets of the upper west side, two gangs battle for control of the turf. The situation becomes complicated when a gang members falls in love with a rival's sister.


3. The Lord of the Rings: The Return of the King
Oscar Wins: 11
Oscar Nominations: 11
Release Year: 2003

The culmination of nearly 10 years' work and conclusion to Peter Jackson's epic trilogy based on the timeless J.R.R. Tolkien classic, "The Lord of the Rings: The Return of the King" presents the final confrontation between the forces of good and evil fighting for control of the future of Middle-earth. Hobbits Frodo and Sam reach Mordor in their quest to destroy the `one ring', while Aragorn leads the forces of good against Sauron's evil army at the stone city of Minas Tirith.


2. Ben-Hur
Oscar Wins: 11
Oscar Nominations: 12
Release Year: 1959

Charlton Heston plays a Palestinian Jew who is battling the Roman empire at the time of Christ. His actions send him and his family into slavery, but an inspirational encounter with Jesus changes everything. Heston finally meets his rival in a justly famous chariot race and rescues his suffering family.


1. Titanic
Oscar Wins: 11
Oscar Nominations: 14
Release Year: 1997


James Cameron's "Titanic" is an epic, action-packed romance set against the ill-fated maiden voyage of the R.M.S. Titanic; the pride and joy of the White Star Line and, at the time, the largest moving object ever built. She was the most luxurious liner of her era, the "ship of dreams", which ultimately carried over 1,500 people to their death in the ice cold waters of the North Atlantic in the early hours of April 15, 1912.